The Sundance Institute is a non-profit organization that offers a variety of programs and initiatives for independent artists and storytellers working in film, theater and digital media. Festival submission fees help us make the process as rigorous and democratic as possible and further support the independent creative community. For more information on other Sundance Institute programs, please visit our application page. “Some people think my job seems easy,” she told us. But I encourage everyone to watch four movies a day in a constructive way. It`s exhausting because you hold people`s dreams in your hands. You have to take it seriously. It is urgent. Não é necessário inscrever-se para uma seção específica.
Somente indicates se o filme é um Feature Narrativa internacional (INF) or Feature Documentário Internacional (IDF). Think of your registration fee as a symbolic representation of all the administrative work the festival`s programmers endure. Not only does this help maintain fairness within the competition and filmmakers, but it also supports the Sundance Institute itself. And don`t expect to receive feedback on why your film wasn`t selected or what you could change to have a better chance next year. Unfortunately, programmers simply don`t have time to give feedback on the 14,000+ submissions. But most importantly, it doesn`t matter what the programmers think. It`s your film, after all. In many cases, especially on the film Freeway, which most festivals use for their submission process, there is a place for a filmmaker`s statement. According to Drea, this space represents a huge potential to consider. People`s Choice Awards The Audience Awards are chosen by the festival visitors themselves by means of ballots, which are handed out after the screenings in the halls.
The Audience Awards are awarded to films in the festival`s American drama competition. Documentary Competition, World Cinema Dramatic Competition, World Cinema Documentary Competition and NEXT. In addition to competitions, films from around the world can be screened in the following sections: Park City at Midnight (genre films), New Frontier (experimental films) and Premieres (premieres of films by renowned filmmakers). In recent years, many acclaimed works of international cinema have been discovered during the festival, including: Bloody Sunday, Whale Rider, Cronos, Motorcycle Diaries, Carne, Dead/Alive, Goodbye Lenin, Calvary, Cube, Zidane, Open Hearts, High Voltage, Intacto, Shine, Time Crimes, Away from Her, Four Weddings and a Funeral, March of the Penguins and Run, Lola, Run. Jury Prize and Awards in Short Film The following prizes and awards are given to the festival`s short films that exemplify exceptional vision and creativity in their respective categories: All U.S. narrative or unscripted fiction works of 50 minutes or more. To be considered an American narrative feature film, the submitted project must be either an improvisational script or fiction, or a fictionalization of real events, and at least half of the project`s funding must come from the United States. Only films that retain world premiere status can be submitted in this category.
Completed films that have been or will be made available to the public before January 30, 2023, free of charge or for purchase, cannot be included in this category. This includes, but is not limited to, public theatrical exhibitions (festival or otherwise), television shows, home videos or digital platforms. Films that have already been invited to other festivals or events (live or digital) but did not participate can still be submitted in this category. We are always looking for something that distinguishes the film beyond the film. The Sundance Film Festival brings together the most original storytellers and adventurous audiences for its annual program of dramatic shorts, documentaries and short films. New films, performances, exhibitions and virtual reality experiences; episodic narration; animated conferences by filmmakers and panel discussions; and dynamic musical events. Since 1985, hundreds of films screened at the festival have been critically acclaimed, reaching a global audience looking for new perspectives and new voices. First and foremost: Submit a job you feel comfortable with, whether it`s a rough cut or not. So submit a film that does your best. Also, keep in mind that you don`t always (or usually) have full control over when and where screens, programmers, or even a wider audience might see your movie. Festival Programs & Conditions of Participation – World Cinema Dramatic Competition: This competition program includes films submitted to the Institute in the International Narrative Feature Films category and subject to the conditions of participation of Section II.
The films selected for this program will be presented both in person and online (with geographical restrictions) and will compete for Jury Awards and an Audience Award.– World Cinema Documentary Competition: This competition program includes films submitted to the Institute in the International Documentary category and are subject to the conditions of participation set out in Section II. Films selected for this program will be screened both in person and online (with geographic restrictions) and will compete against each other for Jury Awards and an Audience Award.– NEXT: This program may consist of films submitted to the Institute in one of our U.S. and International feature film categories, documentaries and narratives. As such, they are subject to the eligibility conditions set out in each of these four categories in Section II. Films selected for this program will be screened both in person and online (with geographic restrictions) and will compete against each other for the NEXT Innovator Award and an Audience Award.– Short Film Competition: All short films will be selected in the U.S. and International Short Film Submission Categories and will be subject to the eligibility requirements of Section II. Short films can be screened before feature films or in one of our short film programmes and all accepted short films are eligible for the Grand Jury Prize for short films. The films selected for this program are presented both in person and online (with geographical restrictions) and are also competing against each other for jury prizes in their respective categories and genres (American fiction, international fiction, non-fiction and animation). In short, programmers are always looking for great stories, so tell them what makes your movie unique. This helps them promote their festival and also gives them the opportunity to promote your film. Films do not need to be submitted for a specific series. Indicate only whether it is an International Narrative Feature (INF) or an International Documentary Feature (IDF).
The World Documentary Film Competition features a selection of new films by talented documentary filmmakers from around the world. Submitted films must have their world or international premiere (i.e. films that have not yet been screened outside their country of production) and the screening time must be at least 50 minutes. Accepted films compete for jury and audience awards. Films presented in competition since 2005, when it began: Man on a Tightrope, Up the Yangtze, Grizzly Man, Senna, Manufactured Landscapes, The Search for Sugar Man, Bus 174, Black Power, Five Broken Cameras and Afghan Star. There is no secret formula, but there are things to look for, and there is no better person to provide these ideas than Drea. So, if the task of attending film festivals has proven to be a daunting task, read on. Any non-fiction film from outside the United States that is 50 minutes or longer in length.
If your documentary contains re-enactments or other fictional depictions of real events, you can submit it in this category, but we will ultimately decide which of our festival programs is best for your project if it is accepted. To be considered an international documentary, at least half of the submitted project`s funding must come from outside the United States. Only films that retain international premiere status can be submitted in this category. Completed films that have been or will be screened in cinemas (festival or otherwise) outside the film`s country of origin or countries of origin before February 1, 2021 cannot be openly subject to this category. Films that have been or will be made available to the public in non-cinematic form free of charge or for purchase before January 30, 2023 cannot be included in this category. This includes, but is not limited to, TV shows, home videos or digital platforms in any country or country. Films that have already been invited to other festivals or events (live or digital) outside their home country or country but did not participate can still be submitted in this category. Nie je nutné hlásiť sa do určitej sekcie. Len uveďte , či sa jedná o film hraný , tj International Narrative Feature , skratka INF , alebo dokumentárny , tj International Documentary Feature , skratka IDF.